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|a (iLib)UPD-00517672022
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|a DMC
|e rda
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|a tag
|a eng
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|a DMLUC
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090 |
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|a LG 993.5 2017 M3
|b N86
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100 |
1 |
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|a Nuñez, Lourdes Ninamarie Janreleth D.
|d 1996-
|e author.
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245 |
1 |
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|a Ang karinderya ni Lisa
|c by Lourdes Ninamarie Janreleth D. Nuñez ; Sari Raissa L. Dalena, adviser.
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264 |
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0 |
|a Quezon City
|b College of Mass Communication, University of the Philippines Diliman
|c 2017.
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300 |
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|a xiii, 106 leaves
|b color illustrations
|c 28 cm
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336 |
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|a text
|2 rdacontent
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337 |
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|a unmediated
|2 rdamedia
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338 |
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|a volume
|2 rdacarrier
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500 |
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|a Vita.
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502 |
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|a Thesis (Bachelor of Arts in Film)--University of the Philippines Diliman
|d June 2017.
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504 |
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|a Includes bibliographical references.
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506 |
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|a Available to the general public.
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520 |
3 |
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|a "Lisa is about to become a regular employee at the Recruitment Process Outsourcing (RPO) company where she works. Her real dream, however, is to open her own karinderya and this desire fuels her to stay at a job she mildly dislikes. One day, she eavesdrops on her co-workers and learns about undisclosed upcoming cutbacks in her department, putting her job and dream in danger. She decides to step up her performance at work in an attempt to save her job."
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520 |
3 |
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|a "The film's primary framework is Marxism. Marxist theory stipulates that the capitalist as owner has to follow. Without job security, the contractual worker is a disposable piece in this system. The strict conditions of production also place a premium on competition, thereby alienating the workers for cheap labor through competition, a system where the big prey on the small in a "free" market."
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650 |
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0 |
|a Short films
|z Philippines.
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695 |
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|a Ang Karinderya ng Lisa (Short film).
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700 |
1 |
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|a Dalena, Sari Raissa L.
|e thesis adviser.
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710 |
2 |
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|a University of the Philippines Diliman.
|b College of Mass Communication.
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905 |
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|a FI
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905 |
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|a UP
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852 |
1 |
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|a UPD
|b DMC
|h LG 993.5 2017 M3
|i N86
|
942 |
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|a Thesis
|