Orientalism in the narrative, music and myth of the amok in the 1937 film Zamboanga

Orientalism in the narrative, music and myth of the amok in the 1937 film Zamboanga

Since the occupation of the Philippine Islands by the U.S. in 1899, Americans have viewed the Moslems of Mindanao as civilized yet aggressive. This orientalist-colonialist gaze is manifested in the film Zamboanga, a Filipino-American project directed by Filipino mestizo actor/director Eduardo de Cas...

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Bibliographic Details
Main Author: Buenconsejo, Jose S. (Author)
Format: Analytics
Language:English
Published: 2013.
Subjects:
Motion pictures > History.
Motion pictures > American influences.
Motion picture music > History and criticism.
Zamboanga (Film).
Online Access:https://forms.gle/KZjBv7aRtY6jiL5E9